Plan and shoot three images
in three different lighting situations; one should be in daylight, one in
artificial lighting and one high dynamic range.
Take each of these images in JPEG and RAW formats.
Open and process each pair of
images. Compare the two versions of each
scene, paying special attention to:
·
Dynamic range
·
White balance and
colour
·
Local adjustment
of any kind
What difference, if any, do
you see between the RAW and JPEG?
-------------------------------------------------------------------------------------------Daylight lighting
Jpeg image using Auto setting in camera |
RAW image using Shady setting
in camera
|
The Auto white balance setting in camera gave a very yellow
effect when the shutter was pressed. I
was able to adjust the white balance in the RAW window so that using the Shade setting
I got a much better colour balance. Also
there was more detail in the shadow left hand part of the picture.
Artificial lighting
JPeg image using Auto setting
in camera,
camera on tripod, ISO 1600 setting
|
RAW converted image using As
Shot setting in camera, camera on tripod, ISO 1600 setting
|
When I looked further into
the RAW image I could see that the street lighting had lost much of the detail
on both images. I was able to pull back
some of the detail in the RAW image but there was nothing extra to extract on
the Jpeg image. See below for blown
highlighting on street lights indicated by red areas.
I used the ISO 1600 and the ISO
200 images to check for excessive grain and found that although the images on
the left with the ISO1600 image the grain was fairly obvious there was more
detail in the street lighting so I used the ISO 1600 image rather than the 200.
High dynamic range
JPEG image using Auto setting
in camera,
camera hand held, ISO 400 setting
|
RAW converted image using
Daylight setting in camera, camera hand held, ISO 400 |
This high dynamic image was
taken in mid-December when the beach at Lyme Regis was empty apart from a
couple of dog walkers and a surfer. The
sun was coming from the south but was fairly low in the sky which created these
silhouettes. The JPEG image was set on
Auto and gave some washed out areas of light which were not retrievable even
using Image/Adjust/Shadows & Highlights.
The RAW converted image, when changed to Daylight setting was able to retrieve
a bit more detail than on the Jpeg image.
The Daylight setting also gave a warmer tone to the image. In both cases the dynamic range seemed to be
outside the camera’s capability to capture detail, which was a pity as the sea
on the horizon was just blown completely.
Still, it made for a dramatic picture.
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